224 pages |HardcoverA surreal and satirical portrait of a pregnant woman adrift in a haunted, post-9/11 Manhattan

Percy is pregnant. She hasnt told a soul. Probably she should tell her husbandcertainly shemeanstobut one night she wakes up to find she no longer recognizes him. Now, instead of sleeping, Percy is spending her nights taking walks through her neighborhood, all the while fretting over her marriage, her impending motherhood, and the sinister ways the city is changing.

Amid this alienationfrom her husband, home, and rapidly changing bodya package arrives. In it: an exhibition catalog for a photography show. The photographs consist of a series of digitally manipulated images of a woman lying on a bed in a red room. It takes a moment for Percy to realize that the woman is herself . . . but no one else sees the resemblance.

Percy must now come to grips with the fundamental question of identity in the digital age: To what extent do we own our own image, and to what extent is that image shaped by the eyes of others?

Capturing perfectly the haunted atmosphere of Manhattan immediately after 9/11and the simmering insanity of America ever sinceJessi Jezewska Stevens’The Exhibition of Persephone Qis a darkly witty and masterful satire about how easy it is to lose ownership of our own selves.